Students’ Creative Representation of English Nouns Through Line Drawing: A Qualitative Image-Based Interpretative Study

Authors

  • Tira Nur Fitria Institut Teknologi Bisnis AAS Indonesia

DOI:

https://doi.org/10.60155/salience.v6i1.785

Keywords:

English Nouns, Image-Based Approaches, Line Drawing

Abstract

This explores how students creatively represent English nouns through visual line drawing tasks in an English as a Foreign Language (EFL) classroom, Specifically forms, patterns, and variations of students’ visual representations as reflected in their simple drawings. This study employed a qualitative image-based interpretative research design. The analysis shows that students’ drawings revealed diverse visual forms, ranging from literal depictions of objects such as houses, mountains, trees, flowers, vases, and cars, to imaginative and interpretative representations that incorporated functional, contextual, and personal elements. Students demonstrated varying levels of vocabulary comprehension, including literal recognition of shapes, understanding of object function, situational and environmental awareness, creative interpretation, and overall complexity in meaning construction. Line drawing tasks allowed learners to actively translate linguistic input into visual forms, linking words with their practical, contextual, and imaginative meanings while fostering cognitive processing, creativity, and personal expression. The findings indicate that visualization through line drawing promotes active engagement, multimodal learning, and student-centered approaches, enabling learners to construct meaning at multiple levels and develop higher-order thinking skills. Overall, line drawing tasks emerge as an effective tool for enhancing vocabulary acquisition, deepening comprehension, and promoting creativity and cognitive integration in EFL classrooms. It is suggested that EFL educators incorporate line-based drawing tasks into vocabulary teaching to enhance students’ understanding of words, creativity, and engagement. Future studies could extend this approach to other language structures, different proficiency levels, or digital/multimodal drawing tools, while continuing to use qualitative image-based interpretative methods to explore students’ meaning-making and creative expressions.

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Published

2026-05-25

Issue

Section

Articles